Department of Philosophy & Social Studies
University of Crete
Campus of Rethymnon
74100 Rethymno
Greece
Phone number: ++30 2831077211/15/16
Fax number:++30 2831077222
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KATERINA BANTINAKI
Lecturer in Aesthetics and Philosophy of Art,
Department of Philosophy and Social Studies,
University of Crete
E-mail:
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EDUCATION
2001-2005: PhD in Philosophy,
King’s College, University of London.
1996-1998: MA in History
and Philosophy of Science, NTUA and University of Athens, Greece.
1990-1995: BA in Philosophy,
Psychology and Social Science, University of Crete, Greece.
TEACHING
2009- Lecturer,
Department of Philosophy and Social Studies, University of Crete.
2007-2008: Temporary
Lecturer, Department of Philosophy and Social Studies, University of
Crete.
2005-2007: Temporary
Lecturer in Philosophy, School of Social Sciences, University
of Manchester.
2004-2005: Teaching
Fellow, Department of Philosophy, King’s College, University of London.
2002-2005: Graduate
Tutor, Department of Philosophy, King’s College, University of
London.
PUBLICATIONS
Edited Books / Special Issues
- C. Abell, K. Bantinaki (eds.), Philosophical Perspectives on
Depiction. Oxford: Oxford University Press (2010).
- Guest Editor, Humanities Special Issue: “The Paradox
of Horror” (under preparation, 2013).
Articles
- ‘The Paradox of Horror: Fear as a Positive Emotion’, The Journal
of Aesthetics and Art Criticism, vol. 70/4 (2012).
- ‘The Value of Conceptual Art’ (in Greek), in
V. Kindi (ed.) Philosophy and Art. Athens: Okto (2011).
- ‘The Cognitive Penetrability of Perception’ (in Greek),
in Noesis, vol. 6 (2010).
- ‘Introduction’ (with C. Abell), in C. Abell,
K. Bantinaki (eds.), Philosophical Perspectives on Depiction.
Oxford: Oxford University Press (2010).
- ‘Pictorial Perception as Twofold Experience’,
in C. Abell, K. Bantinaki (eds.), Philosophical Perspectives
on Depiction. Oxford: Oxford University Press (2010).
- ‘The Opticality of Pictorial Representation’, The Journal
of Aesthetics and Art Criticism, vol. 66/2 (2008).
- ‘Pictorial Perception as Illusion’, British
Journal of Aesthetics, vol. 47/3 (2007).
- ‘The Image as a Vehicle of Moral Knowledge’ (‘Η Εικόνα ως Μέσον Ηθικής Γνώσης’),
in Deykalion, 25/1 (2007).
- ‘Pictorial Representation and Moral Content’, Postgraduate
Journal of Aesthetics, vol.1/2 (August 2004).
Surveys
- ‘Seeing-in’, in D. Cooper, S. Davies, K. Higgins, R.
Hopkins and R. Stecker (eds.) A Companion to Aesthetics (Second
Edition). Oxford: Blackwell(2009).
- ‘Depiction’ in D. Cooper, S. Davies, K. Higgins, R.
Hopkins and R. Stecker (eds.) A Companion to Aesthetics (Second
Edition). Oxford: Blackwell (2009).
Reviews
- Beyond Mimesis and Convention: Representation in Art and Science,
eds. Roman Frigg and Matthew Hunter (2010). In International
Studies in the Philosophy of Science, vol. 26/1 (2012).
- ‘Weaving a Nominalist Conception of Nature, Science
and Art’Reviewof Nominalism and its Aftermath: The Philosophy
of Nelson Goodman, Dena Shottenkirk (2009). In Metascience,
vol. 20/3 (2011).
- Philοsophical Perspectives on Art,
Stephen Davies (2007). In Analysis, vol. 69 (2009).
- On Images: Their Structure and Content, John V. Kulvicki
(2006). In Mind, vol. 117(2008).
- Sight and Sensibility: Evaluating Pictures, Dominic McIver
Lopes (2005). In Notre Dame Philosophical Reviews (April
2006).
- Art beyond Representation: the Performative Power of the Image,
Barbara Bolt (2004). In British Journal of Aesthetics (April
2006).
AWARDS
2000: Fellowship for graduate
studies in Aesthetics – Michelis Foundation, Greece
1998: Socrates Fellowship – National
Fellowship Foundation, Greece
1997: Graduate Research Support
Grant – University of Athens, Greece (1998)
1997: Fellowship for MA studies – National
Technical University of Athens, Greece
1991: Academic Excellence
Award – National Fellowship Foundation, Greece
RESEARCH AREAS
Pictorial Representation, Pictorial Perception, Interpretation, Art
and Emotion, Values of Art
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